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Average Customer Rating: (15 votes)

ORIGINAL SOUNDTRACK
Chicago

1. Overture / And All That Jazz - Catherine Zeta-Jones, Female Chorus, Male Chorus
2. Funny Honey - Renee Zellweger, John C. Reilly, Colm Feore
3. When You re Good To Mama - Queen Latifah, Taye Diggs
4. Cell Block Tango - Catherine Zeta-Jones, Susan Misner, Deidre Goodwin
5. All I Care About - Richard Gere, Female Chorus & Cell Block Girls
6. We Both Reached For The Gun - Richard Gere, Renee Zellweger
7. Roxie - Renee Zellweger, Male Chorus
8. I Can t Do It Alone - Catherine Zeta-Jones, Taye Diggs
9. Mister Cellophane - John C. Reilly
10. Razzle Dazzle - Richard Gere, Female Chorus
11. Class - Catherine Zeta-Jones, Queen Latifah
12. Nowadays - Renee Zellweger, Taye Diggs
13. Nowadays/Hot Honey Rag - Renee Zellweger, Catherine Zeta-Jones
14. I Move On - Catherine Zeta-Jones and Renee Zellweger
15. After Midnight - Danny Elfman
16. Roxie s Suite - Danny Elfman
17. Cell Block Tango (He Had It Comin ) - Queen Latifah and Lil Kim feat. Macy Gray
18. Love Is A Crime - Anastacia

 

New Price - £4.41 (20 available)
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DESCRIPTION
The movie version of Kander and Ebb s Chicago was long in the making but its well worth the wait. Director Rob Marshall s main change was to turn the classic musical numbers into fantasy sequences, but of course this isn t obvious on CD. Most importantly, the arrangements are bursting with life while being true to the show s spirit, and the casting is simply inspired. Catherine Zeta Jones actually started her career on the British boards (she was in The Pajama Game and 42nd Street) so her turn as slinky Velma Kelly isn t that surprising, Renée Zellweger as Roxie Hart is more of a leftfield choice but she shows she can handle the singing demands with pizzazz. The real revelation may well be rapper Queen Latifah, who belts out When You re Good to Mama with a marvelous affinity for the material. Okay, so the R&B reprise of Cell Block Tango/He Had It Coming by Queen Latifah, Macy Gray, and Lil Kim fails to convince, while Anastacia s Love is a Crime is just bland (rest easy, purists, it s over the end credits). On the other hand, the CD provides two bonuses: Class, which was cut from the movie, and I Move On, a great duet written by Kander and Ebb for the final cut. It s really easy to mess up film adaptations of Broadway shows: happily, Chicago proves it can be done right. --Elisabeth Vincentelli

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